Behind the Scenes of “YOSA Presents: Star-Crossed”
with Guest Artist James Moore

Known for his genre-blending style across classical, folk, jazz, indie rock, and experimental music, James brings a unique voice to every performance. As co-founder of the electric guitar quartet Dither and leader of the acoustic ensemble Hands Free, he thrives on creative collaboration. An educator at Princeton and Columbia, James also inspires young musicians to explore music across multiple genres. Read on as James shares insights on his collaborative process, tips for mastering challenging music, and advice for young musicians interested in diverse, eclectic careers!

1. How do you approach collaborating with other artists across different genres? Do you find your process changes depending on the medium or genre?

"I find collaborating with artists from other styles and backgrounds to be extremely rewarding, and I see it as a way to put my work and process into perspective. 

Just this week, I developed a set of music for my acoustic group The Hands Free with Irish sean-nos singer Iarla Ó Lionáird. I worked closely with Iarla, who primarily learns music by rote, to develop melodic lines that fit his vocal style and musical instincts. I then created a simple chart that contains key musical elements and motives, so that we all could internalize the songs and have the flexibility to listen and interact as the songs took shape in the rehearsal process. I find this ‘rock band’ model of composing to be a refreshing change from grappling with an entirely fixed score."

2. What advice would you give to young musicians who want to pursue eclectic careers like yours, working in multiple genres and disciplines?

"Explore as many different aspects of music making as you can, stay open to unconventional opportunities, and give 100% to every commitment you take on. Your unique path with unfold in ways that you can’t predict.

Be communicative, patient, and supportive to all of your peers and colleagues both on and off the stage. Being collegial and kind will not only lead to more opportunities, but it will enrich all aspects of the music you create.

If your ambition is to be a professional musician, I suggest you don’t feel pressured to go the conservatory route. There are great music programs in universities all over the country which may offer you an even wider range of skill sets. And there is plenty of time to attend a conservatory as a graduate student if you feel that is your path."

3. With such a wide repertoire, how do you structure your practice sessions? Do you have any routines or tips for mastering challenging passages?

"I encourage practicing in shorter chunks and taking lots of breaks as opposed to cramming in long sessions. I like to use the phrase ‘let it bake.’ It’s amazing how that our brains and bodies continue to ‘learn’ even when we not playing. It is important to know what you are capable of, make a reasonable schedule, and have faith in the process of learning slowly."